SCULPTURE [...] The Angel of the Alta Langa carries the force of the matter is was moulded from, although its physicality lives in the depths of invisibility: the large wings open for an all-encompassing embrace, the baffling look that appears open and at the same time sealed, its mass cannot be a mere statuary frame, as it conquers the third dimension while claiming its impalpability. The Angel’s silvery color emanates a rarified light that changes according to the atmosphere and settles on ideas and time. [...] (Antonio D'amico)
